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Current articles, 2007   

Summer 2006     Summer 2005     Spring 2005

Autumn 2004     Summer 2003     Winter 2003   

Autumn 2002

Editorial supplements   

Call for papers    

Guidelines for contributors

 

CURRENT ARTICLES

Life on Mars, or How the Breaking of Genre Rules Revitalises the Crime Fiction Tradition,
CHRISTINE DOWNEY, Lancaster University

Broken Hallelujah: The Cultural Significance of American Hardboiled Fiction in Paperback, 1940-1955, MARGARET MERIÇLI, University of Pittsburgh

‘A drop of water from a stagnant pool’: Agatha Christie’s Parapractic Murders, DEWI LLYR EVANS, Cardiff University

An Exploration of the Relationship between Community and Capitalism in Black Crime Fiction, TIM LAWLOR, Lancaster University

Crimes of Conscience: Morality and Justice in Doyle and Christie, GARETH WATKINS,
University of Wales, Aberystwyth

If you can get them to think: an ethical defence of crime fiction, ELLENORE CHAPMAN,
Bolton University

The concept of identity in Without a Trace, SILKE GUENTHER, Lübeck, Germany

 

SUMMER 2006

Summer Special: Postmodern and Future Noir

Future Noir, JAMALUDDIN BIN AZIZ, Lancaster University, and School of Humanities, University Science of Malaysia

Postmodern Noir Investigations and Disintegrations of Identity: Denis Johnson's Resuscitation of a Hanged Man and Philip K. Dick's A Scanner Darkly, RENE DIETRICH, Albert-Ludwigs-Universität, Freiburg, Germany

Lonely Young Men: A Baudrillardian Analysis of the Disaffection in the Novels of Bret Easton Ellis, ROBERT COPPIN, Lancaster University

Paul Auster’s deconstruction of the traditional hard-boiled detective narrative in The New York Trilogy, Dan Holmes, University of Wales, Swansea

 

SUMMER 2005

Reading the City and Identity in Fin de Siecle Crime Fiction, CLARE CLARKE, Queen's University Belfast

Gender’s Survivalist Struggle: The Performative Distortion of the Body in Himes’ Rage in Harlem and Blincoe’s Acid Casuals, DAVID COOPER, Lancaster University

Alternate realities and the detective's search for the truth: A comparison of the Sherlock Holmes stories and The Usual Suspects, ABIGAIL DAMMS, Lancaster University

Paradise Lost: Sin in Noir, JASON McKENZIE, Plymouth State University

It’s Not Just Black and White: Gender Roles in Film Noir, JASON McKENZIE, Plymouth State University

 

EARLIER ARTICLES ~ AUTUMN 2002 - SPRING 2005

SPRING 2005

The Text is Suspect: The Author, the Detective and the Subjective in Auster's City of Glass, TODD NATTI, The University at Buffalo, New York

A Study in Ambiguity: The Godfather and the American Gangster Movie Tradition, GEOFF FORDHAM, The Open University

Whose Fantasy is This Anyway?: The Female Serial Killer in Dirty Weekend and The Eye of the Beholder, JAMALUDDIN BIN AZIZ, Lancaster University

Dangerous Women and the Abject in the Noir Thriller, EMMA WHITING,  Lancaster University

Entertainment and Dystopia: Film Noir, Melodrama and Mildred Pierce, ZOE BOLTON,  Lancaster University

Oh! You Pretty Things: Narcissism, Identity and the Culture of Consumption in Highsmith’s The Talented Mr Ripley and Goodis’ The Blonde on the Street Corner, Emma Turzynski, LANCASTER UNIVERSITY

Hitchcock’s Place in Film Theory: a Significant Auteur or Director of Insignificant Pictures?, GEOFF FORDHAM, The Open University

From the Editors:

The Road to Double Indemnity, ROGER WESTCOMBE

 

 

 

 

 

 

The Case of the Two Italian Semioticians, or The Demise of the Detective and the Revival of His Genre in Umberto Eco’s Name of the Rose  SIMON SYLVESTER , Lancaster University

Noir Transformations:  Gender, Place and Identity in The Talented Mr Ripley and Dirty Weekend  ANDREW JEFFCOAT, Lancaster University

'The Innocent Victim':  Alienation and Existentialism in the Noir Crime Novels of David Goodis and Chester Himes  REUBEN WELSH , Lancaster University

Re-writing Noir Women: Sara Paretsky's V.I. Warshawski  HELEN CRAINE, Lancaster University

'The World of Fear': Engendering Unease in the Novels of Patricia Highsmith JULIE WALKER, Lancaster University

 

AUTUMN 2002 :

The Noir Thriller: Male Identity and the Threat of the Feminine   NAOMI KING, Lancaster University

Split Identities and World(s) Under Erasure in Memento and Falling Angel:  Playing on the Detective Figure in Postmodern Crime Fiction   DANIEL JONES, Lancaster University

The Angels and the Monsters: Strong Women in the Novels of Patricia Cornwell    SARAH HINTON, Lancaster University

 

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EDITORIAL SUPPLEMENTS:

Lee Horsley, Black Protest in the Mid-Century American Crime Novel  

Lee Horsley, Fatal Women in the Hard-Boiled 50s  

Lee Horsley, Founding Fathers: "Genealogies of Violence" in James Ellroy's L.A. Quartet

Katharine Horsley and Lee Horsley, Mères Fatales: Maternal Guilt in the Noir Crime Novel (available at online site of Modern Fiction Studies 45.2, Summer 1999).

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Call for Papers

One of the main aims of this site is to provide an opportunity for the best undergraduate and postgraduate students to publish things online, whether first-rate term papers or things written specially for the site.  We also want to invlove in as many ways as possible those engaged in teaching courses on crime literature or film: we invite them to contribute details of the courses they offer and, if they are interested, to provide the site with additional sub-sections relating to Crime Fiction, Crime Films or True Crime.

Guidelines for contributors

Undergraduates and postgraduates

We invite you to send us your pieces of work on any crime-related topics.  The editors of the site are looking for papers that make a lively contribution to the study of crime literature, film or graphic art.

Length:  approximately 2000-3000 words would be ideal, but we will consider shorter or longer papers.

Means of submission:  Word documents sent as attachments, please,  to the contact e-mail address of the site editors.

Referencing:  We do not have a 'house style', but simply ask that you provide clear and consistent references to the sources you use.

What sort of thing do we expect?  At the bottom of this page, we include links to articles recently accepted for publication on the site.  These should give you some idea of the standard of work we are hoping for.    

Teachers of crime-related courses

We are looking both for descriptions (as detailed as you wish) of the courses you teach and for contributions to the coverage the site is able to provide.  The site editors have a very wide-ranging interest in crime literature, film and graphic art, but of course our own areas of specialization do not extend to all of the topics we would like to include. 

We are particularly in need of contributions from Victorian specialists and film studies specialists, and also from any of you who have strong interests in feminist approaches, in black crime literature/film, in ethnic and regional crime writing, in TV crime series, cover art, etc.  Although we have ourselves provided some of the introductory essays on these topics, we would be very grateful for offers to add new sections, to act as section editors for any sections currently without an editor, or to contribute supplementary pieces on aspects of crime literature, film or art that are not at present adequately covered on our site. 

So please - send all suggestions, written contributions, offers of assistance to the contact e-mail address of the site editors.

 

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