Life on Mars, or How the Breaking of Genre Rules Revitalises the Crime Fiction Tradition
CHRISTINE DOWNEY, Lancaster University
Broken Hallelujah: The Cultural Significance of American Hardboiled Fiction in Paperback, 1940-1955
MARGARET MERIÇLI, University of Pittsburgh
‘A drop of water from a stagnant pool’: Agatha Christie’s Parapractic Murders
DEWI LLYR EVANS, Cardiff University
An Exploration of the Relationship between Community and Capitalism in Black Crime Fiction
TIM LAWLOR,
Lancaster University
Crimes of Conscience: Morality and Justice in Doyle and Christie
GARETH WATKINS, University of Wales, Aberystwyth
If you can get them to think: an ethical defence of crime fiction
ELLENORE CHAPMAN, Bolton University
The concept of identity in Without a Trace
SILKE GUENTHER, Lübeck, Germany
Click here for EARLIER CRIMECULTURE ARTICLES, 2002-2006