{"id":7673,"date":"2021-09-18T10:46:40","date_gmt":"2021-09-18T10:46:40","guid":{"rendered":"https:\/\/www.crimeculture.com\/?page_id=7673"},"modified":"2021-09-18T10:48:03","modified_gmt":"2021-09-18T10:48:03","slug":"the-man-who-died-twice","status":"publish","type":"page","link":"https:\/\/www.crimeculture.com\/?page_id=7673","title":{"rendered":"The Man Who Died Twice"},"content":{"rendered":"\n<p><strong>Richard Osman, The Man Who Died Twice<\/strong><\/p>\n\n\n\n<p><em><em>Review by\u00a0<a href=\"https:\/\/www.crimeculture.com\/?page_id=523\">Lee Horsley<\/a><\/em><\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large-680x1024.jpg\" alt=\"\" class=\"wp-image-7671\" width=\"283\" height=\"425\" srcset=\"https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large-680x1024.jpg 680w, https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large-199x300.jpg 199w, https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large-768x1156.jpg 768w, https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large-1020x1536.jpg 1020w, https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large-1360x2048.jpg 1360w, https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_ManWhoDies_large.jpg 1399w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>Richard Osman\u2019s&nbsp;<em>The Man Who Died Twice<\/em> (2021) is&nbsp;an ebullient and superbly entertaining take on the Golden Age detective novel.This is the second book in his \u2018Thursday Murder Club\u2019 series, which inventively updates the formula of country village atmosphere and loveable, eccentric characters.&nbsp;<\/p>\n\n\n\n<p>The setting, Coopers Chase, is an exclusive Kent retirement village, and the central characters are drawn into circumstances that require all of the investigative skills of the classic detective.&nbsp;Though they are types, each character comes alive in quirky and entertaining ways, carrying the plot forward by their idiosyncratic team efforts.&nbsp;Each possesses&nbsp;an important facet of investigative skills: charming intuitiveness (Joyce, who has worked as a nurse), intellectual grit (Ibraham, a retired psychiatrist), stubborn Bolshie determination (Ron, an ex-trade unionist), and extensive experience of deviousness and subterfuge (Elizabeth, a former intelligence agent).<\/p>\n\n\n\n<p>Following on from the huge success of&nbsp;<em>The Thursday Murder Club<\/em>, Osman has constructed a plot of even more splendid and comic complexity, confronting his septuagenarian detectives with stolen diamonds, murderous double agents, drug dealers, the Mafia, and an alarming body count.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><a href=\"https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_portrait.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_portrait.jpg\" alt=\"\" class=\"wp-image-7672\" width=\"195\" height=\"207\" srcset=\"https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_portrait.jpg 460w, https:\/\/www.crimeculture.com\/wp-content\/uploads\/2021\/09\/Osman_portrait-283x300.jpg 283w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>The adventure begins with Elizabeth pondering how to respond to an invitation to meet up with Marcus Carmichael, whom she last saw when she found his dead body slumped against a Thames bridge: \u201cSo, yes, Elizabeth remembers Marcus Carmichael very well indeed\u2026An invitation from a dead man? On reflection, she will be accepting.\u201d<\/p>\n\n\n\n<p>With Elizabeth\u2019s decision, a door is opened to the threatening intrusion of spies and mobsters \u2013 figures who seldom if ever frequent the world of old-fashioned country house detection. But Osman handles his plot with the sort of dexterity and humour that keep it all within comic, reassuring bounds. We are held agreeably in suspense, confident throughout that these are protected characters whose warmth and charm will be required in the much-anticipated future novels in Osman\u2019s excellent series.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Osman, The Man Who Died Twice Review by\u00a0Lee Horsley Richard Osman\u2019s&nbsp;The Man Who Died Twice (2021) is&nbsp;an ebullient and<\/p>\n<p><a href=\"https:\/\/www.crimeculture.com\/?page_id=7673\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">The Man Who Died Twice<\/span><\/a><\/p>\n","protected":false},"author":779,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=\/wp\/v2\/pages\/7673"}],"collection":[{"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=\/wp\/v2\/users\/779"}],"replies":[{"embeddable":true,"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7673"}],"version-history":[{"count":2,"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=\/wp\/v2\/pages\/7673\/revisions"}],"predecessor-version":[{"id":7675,"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=\/wp\/v2\/pages\/7673\/revisions\/7675"}],"wp:attachment":[{"href":"https:\/\/www.crimeculture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}