All Things Cease To Appear

Elizabeth Brundage, All things Cease to Appear

Elizabeth Brundage, All Things Cease to Appear (March 2016)

Review by Kate Horsley

Reading Elizabeth Brundage’s All Things Cease to Appear is a mesmerizing experience. For those wishing to categorise it, the novel is generally described as a mixture of ghost story and murder mystery.  In truth, neither the ghosts nor the police are very active presences: this is not a tale that achieves its effects by arousing supernatural terror or by displaying an investigator’s insights. It is, however, an extraordinarily gripping and suspenseful narrative, much of it told from the perspective of a murderer. Like much else in Brundage’s novel, the fleeting supernatural presences and the largely unsuccessful investigation have wider resonance. The ghosts are intimations of unseen connections in our lives and perceptions; police failures remind us how easily bold lies and secret violence can be concealed from the view of others. The hidden persistence of guilt and hatred is at the core of the novel.

For the reader, there is, from the beginning, little doubt about who is responsible for the murder of Catherine Clare. What compels our attention is the gradual and painful revelation of the fault lines in a relationship – all of the things not said, and the slow movement towards disaster. We see how deception and cruelty can become habitual: “He’d lied. He lied to her all the time. He didn’t know why. Maybe he thought she deserved it. Theirs was such an awful and predictable story that he tried not to think about it.”

All Things Cease to Appear is also a portrait of a town at a time when its cultural and economic landscape is shifting, the older generation of farmers going bankrupt and the new money from the city buying up the land. The picturesque scene admired by visitors is one of the more deceptive aspects of the town of Chosen: “If you wanted to see a real farm you’d have drunk, broke farmers and hungry animals worried for their lives. You’d have bitter wives and snot-nosed kids and old people broke down from giving their hearts and souls to the land.” In some ways comparable to Daniel Woodrell’s The Maid’s Version, Brundage’s novel explores an exhausted, dying community during a time of irreversible historical change.

In plot terms, the chilling story of Catherine and George Clare, newcomers to the town of Chosen, is woven together with the equally dark history of the Hales, the family who owned the farm before them. The Hale parents committed suicide in the same room where Catherine Clare was found gruesomely murdered. They left behind them three boys who come back to the farm to help out and whose lives become entangled in complex ways with those of the Clares.

Brundage builds a tense and subtle narrative around the relationship between the Clares and the longer established residents of this isolated community.  All Things Cease to Appear is a beautifully written novel that works on many levels. It is thoughtful and lyrical, a penetrating study of a psychopath and a deeply disturbing portrait of a doomed marriage, but also a meditation on the deceptiveness of all appearances and on “the big fairy tale of America.”

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