Editors’ Choice: reviews of Harriet Lane, Her, Amanda Jennings, The Judas Scar, and Daniel Woodrell, The Maid’s Version

past_slider_thumbThe protagonists of psychological thrillers are very often in thrall to the dark secrets of the past: characters go through their lives imprisoned by the past; or they take flight from it, imagining they can escape; or, just when they least expect it, someone from a former life resurfaces and threatens to destroy them. Harriet Lane’s superb, chilling novel Her begins with a chance meeting between two women whose lives were intertwined in the distant past. In Amanda Jennings’ gripping thriller The Judas Scar, the central relationship from the past is male rather than female, and, from the disturbing prologue on, the reader knows that male brutality and violence are at the core of both past and present narratives. Daniel Woodrell’s extraordinary piece of Southern noir, The Maid’s Version, gives us a past secret that is a communal tragedy rather than a private torment, and we hear the voices of an entire town as we try to untangle the lies and evasions that have proliferated in the decades following a dance hall explosion decades earlier. Read our reviews of Harriet Lane, Amanda Jennings and Daniel Woodrell.